So long, farewell
I’m going to be totally honest, in all of the many times I have watched the Sound of Music I have only gotten through the whole thing once. It’s a long-ass movie clocking in at 2 hours and 52 minutes! The other night my amazing friend Laura Bohlin was watching it at the Hollywood Bowl and posting clips and it made me feel, as the kids say, some sort of way. I have memories of watching it with my family (recorded on a VHS tape from the TV), I owned the soundtrack on cassette, and the image of Maria twirling in her skirt and apron in the mountains is iconic. I really hadn’t thought about the movie in years, but now that I am it’s a whole lot of YIKES. I’m not alone on this. There are a variety of general criticisms of the film as well as ones specific to Austrians. Now, before anyone gets all “but it was made in a different time!” on me, I know (#noshitsheryl). The movie was released in 1965 and (theoretically) things are different now. But it's a classic and one of the top grossing films of all time. The American Film Institute ranks it as the fourth best musical in movie history (coming in behind Singin’ in the Rain, West Side Story, and Wizard of Oz) and it was remade as a live TV special in 2013 with Carrie Underwood as Maria. What I am saying is that people are still watching it and it’s sexist and a little creepy so let’s at least talk about it.
There was a twenty-five year age difference between Maria and Captain Von Trapp. That isn’t insignificant. The power differential between the two of them was huge. Maria came to the house as a governess (employee) on a break from the convent. SHE WAS A NUN! Granted, she was not a great nun because “underneath her wimple she wore curlers in her hair”* but still. A nun. The Captain had money, a fancy house, a sassy Baroness who was really into him, and powerful friends. Maria had a guitar and the ability to sew clothes from curtains.
It may also promote some problematic parenting approaches. In the movie Captain Von Trapp uses a boatswain WHISTLE to summon his children. Upon hearing it they run into the house, line up in age order, and stand at attention because the Captain was into obedience and yelling. In real life he was the most successful Austro-Hungarian submarine commander in World War I and that military precision carried over to his house and children (seven in the movie, ten in real life). We know enough about parenting now to realize that scaring the shit out of your kids isn’t a great approach. The good news here is that the real Captain was apparently much nicer but he did actually use a whistle. He said that he used it (with a separate call for each child!!!) to get their attention when they were spread out around the house and gardens. Ok. I guess.
But meet me by the gazebo because that’s where things really go off the rails for me! Hormone filled sixteen-year-old Liesl and seventeen-year-old traitor bicycle messenger Rolfe rendezvous and break into the song Sixteen Going on Seventeen. The lyrics are something.
[Rolf:]
You wait, little girl, on an empty stage
For fate to turn the light on
Your life, little girl, is an empty page
That men would want to write on
[Liesl:]
To write on
[Rolf:]
You are sixteen going on seventeen
Baby, it's time to think
Better beware, be canny and careful
Baby, you're on the brink
You are sixteen going on seventeen
Fellows will fall in line
Eager young lads and roues and cads
Will offer you food and wine
Totally unprepared are you
To face the world of men
Timid and shy and scared are you
Of things beyond your ken
You need someone older and wiser
Telling you what to do
I am seventeen going on eighteen
I'll take care of you
[Liesl:]
I am sixteen going on seventeen
I know that I'm naive
Fellows I meet may tell me I'm sweet
And willingly I believe
I am sixteen going on seventeen
Innocent as a rose
Bachelor dandies, drinkers of brandies
What do I know of those
Totally unprepared am I
To face the world of men
Timid and shy and scared am I
Of things beyond my ken
I need someone older and wiser
Telling me what to do
You are seventeen going on eighteen
I'll depend on you
Run Liesl!!! You don’t need a man telling you what to do (and also he will try and have your entire family killed!). The gist of the song is that Liesl’s life will only truly begin when she has a man tell her how the world works (old school mansplaining?). Because Liesl has grown up wealthy and sheltered, she thinks Rolfe is worldly and knows what's up. The crazy thing to me is that he is one year older. He has absolutely no idea what he is talking about yet he is so confident that he does. In all honesty, no eighteen-year-old has any idea about anything. Half way through the song it starts to rain and they take shelter in the gazebo. They are now damp and decide to break out into a dance. There is a lot of leaping and dress twirling and at the end of the song they kiss. That chaste kiss was such a big deal that Liesl is convinced that her future is basically set after one duet. Girl, that is insufficient! If you don’t remember this part of the movie here it is and if you want to see an even better version, Saturday Night Live recently did their own.
There has been a lot of talk about cancel culture in recent years and some great pieces written about its history. I didn’t write this because I think The Sound of Music or all these other shows that have been “canceled” should never be watched again. Instead I think we should use them as discussion points. Acknowledge why they are problematic, celebrate the progress we have made, and recognize that still needs to change. Turner Classic Movies recently decided that the best way to handle showing “classic” movies with racist, sexist, and homophobic themes was to include thoughtful introductions and discussions after the movies aired. I love this. I love that TCM is exposing an audience who likely never took issue with any of these things to the ways in which society is evolving. Writing this made me think I need to add Sixteen Going on Seventeen to my Women in Management required listening. Hearing how young women view this now would be a great discussion. I would also like to note that though this movie is filled with a lot of garbage if I hear the Lonely Goatheard song you better bet your ass I will yodel right along (even though those goats are what nightmares are made of).
* That is a lyric from the song How Do you Solve a Problem like Maria.